In the 1940s, radio was the electronic medium for family entertainment and information.[186][187][188] In the 1950s, it was television that was the new medium and it rapidly became global, bringing visual entertainment, first in black and white, then in colour, to the world.[189] By the 1970s, games could be played electronically, then hand-held devices provided mobile entertainment, and by the last decade of the 20th century, via networked play. In combination with products from the entertainment industry, all the traditional forms of entertainment became available personally. People could not only select an entertainment product such as a piece of music, film or game, they could choose the time and place to use it. The "proliferation of portable media players and the emphasis on the computer as a site for film consumption" together have significantly changed how audiences encounter films.[190] One of the most notable consequences of the rise of electronic entertainment has been the rapid obsolescence of the various recording and storage methods. As an example of speed of change driven by electronic media, over the course of one generation, television as a medium for receiving standardised entertainment products went from unknown, to novel, to ubiquitous and finally to superseded.

Japan's unique sumo wrestling contains ritual elements that derive from its long history.[164] In some cases, such as the international running group Hash House Harriers, participants create a blend of sport and entertainment for themselves, largely independent of spectator involvement, where the social component is more important than the competitive.

Animals have been used for the purposes of entertainment for millennia. They have been hunted for entertainment (as opposed to hunted for food); displayed while they hunt for prey; watched when they compete with each other; and watched while they perform a trained routine for human amusement. The Romans, for example, were entertained both by competitions involving wild animals and acts performed by trained animals.

Although kings, rulers and powerful people have always been able to pay for entertainment to be provided for them and in many cases have paid for public entertainment, people generally have made their own entertainment or when possible, attended a live performance. Technological developments in the 20th century, especially in the area of mass media, meant that entertainment could be produced independently of the audience, packaged and sold on a commercial basis by an entertainment industry.

Interactive books such as "choose your own adventure" can make literary entertainment more participatory.

[190] Globalisation and cultural imperialism are two of the cultural consequences of convergence.[202] Others include fandom and interactive storytelling as well as the way that single franchises are distributed through and affect a range of delivery methods.[203] The "greater diversity in the ways that signals may be received and packaged for the viewer, via terrestrial, satellite or cable television, and of course, via the Internet" also 九游娱乐官网 affects entertainment venues, such as sports stadia, which now need to be designed so that both live and remote audiences can interact in increasingly sophisticated ways – for example, audiences can "watch highlights, call up statistics", "order tickets and merchandise" and generally "tap into the stadium's resources at any time of the day or night".[182]

Many contests between animals are now regarded as sports – for example, horse racing is regarded as both a sport and an important source of entertainment. Its economic impact means that it is also considered a global industry, one in which horses are carefully transported around the world to compete in races.

It comes as the Sun reported he left after an incident with another dancer, which his representative denies.

It comes as the Sun reported he left after an incident with another dancer, which his representative denies.

Founded in 1680 under Louis XIV, this state-run theatre bases its repertoire on the works of classic French playwrights. The theatre has its roots in an…

Michael Keaton says it would have been a “huge mistake” for his titular trickster ghost character to get significantly more screen time in “Beetlejuice Beetlejuice” than he did in the first film.

The actress reflects on being told to sit up straighter on the set of a film to hide her belly rolls.

Tinashe thought she might have hit on her hands with “Nasty” — but never expected it become such a viral success. The R&B and pop star spoke with the AP’s Gary Gerard Hamilton about her new album “Quantum Baby,” how she now defines success, and maintaining career momentum over the years through changes in the the music industry.

Nearly a decade after his last full-length release, Zedd is releasing “Telos.” The Grammy-winning producer/DJ says he needed to push himself to make an album that would move the needle — one that told a story beyond the success of his debut LP, “Clarity,” or “True Colors.